Grieg Funeral March
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Funeral March for Rikard Nordraak. Played by the Philip Jones Brass Ensemble. Composer - Edvard Grieg
A recording we did some time ago.
Originally composed for solo piano, arranged for orchestra by Johan Halvorsen for Grieg's Funeral on 9th September 1907. Performed by the London Symphony Orchestra conducted by Per Dreier.
Provided to YouTube by Universal Music Group Grieg: Funeral March for Rikard Nordraak CW117 (1866) · Gothenburg Symphony Orchestra · Neeme Järvi · Edvard Grieg · Edvard Grieg · Edvard Grieg Grieg: Complete Music with Orchestra ℗ 1989 Deutsche Grammophon GmbH, Berlin Released on: 2001-01-01 Producer, Recording Producer: Lennart Dehn Studio Personnel, Balance Engineer, Editor: Michael Bergek Composer: Edvard Grieg Auto-generated by...
a pretty epic funeral march 01:00
Edvard Grieg (1843-1907) Funeral March November 29th, 2008 Kettering 7th Day Adventist SINFONIA CHAMBER BRASS (aka Buerkle Brass) Trumpets: Brian Buerkle, Conductor John Rommel Justin Bartels Wesley Woolard Jon Kretschmer French Horn: Charlie Bell Eric Reed Jason Allison Kelly Daniels Trombone: Cristian Ganicenco David Parilla Garnett Livingston Peter Norton Tuba: Jacob Cameron Percussion: Scott Lang Fred Thiergartner Organ: Jerry...
"Funeral March for Rikard Nordraak" by Edvard Grieg, Rescored by Geoffrey Emerson, performed by the Belleville Brass Ensemble, under the direction of Ed Jacobs, on January 26th, 2020, at the Cathedral of St. Peter, Belleville, IL.
University of Hawaii Fall Concert 2015 UH Wind Ensemble - Jeffrey Gershman, guest conductor October 18, 2015 Edvard Grieg - Funeral March for Rikard Nordraak (1866) ed. Frederick Fennell Guest conductor, Dr. Jeffrey Gershman
Edvard Grieg (1843-1907) Funeral March Spectrum Brass & Chamber Brass of the Spectrum Brass Seminar Brian Buerkle, Conductor July 17th, 2015 St. Francis Xavier Catholic Church Petoskey, MI
Jeremy Buckler, Brian Hecht, Bradley Palmer, and Nathan Zgonc perform the Funeral March by Edvard Grieg at STS 2020. The STS is held annually at the Schwob School of Music at Columbus State University in Columbus, Georgia. southeasttrombonesymposium.com
Edvard GRIEG "Funeral March" for brass and percussion MASSIVE BRASS ATTACK! portuguese youth symphonic brass ensemble Sérgio Carolino, musical and artistic director live at the Clérigos Church, Porto, April 2013
Funeral March played by the Brass of the Modest Orchestra on the 20th of December, 2018. Conductor: Panagiotis Karamanos
About Edvard Grieg - Funeral March for Rikard Nordraak
Edvard Grieg (15 June 1843 4 September 1907) was a Norwegian composer and pianist who composed in the Romantic period. Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music.
Rikard Nordraak was a very good friend of his, and he was also a composer. When he died, in 1866, Grieg composed this funeral march in his honor.
The first paintings till 4:34 are from Caspar David Friedrich (1774 - 1840) was a 19th-century German Romantic landscape painter, generally considered the most important of the movement. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's work characteristically sets the human element in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
The second paintings are from Ilya Yefimovich Repin (1844 - 1930) was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR.